fresh from the pleasures of introducing jon convex to the world, 3024 heads off on a pair of tangents for the next project. the 14th release marks the labels first split 12 inch - a result of 2 tracks falling in to their collective lap that were too good to wait for individual releases. despite the 2 very different acts involved, the symmetry in both musical background and production methodology makes for a record as coherent as any in the labels back catalogue, with both artists closely linked to both 3024 and martyns career.

tronic continues its roll out of summer bombs with the >origin / freed< two-tracker from dosem, an artist who has previously made a name for himself with sterling output for technasia sub-label sino. >origin< is the first of the two tracks and it opens proceedings with an epic, synth heavy vibe. filtered, impeccably programmed drums gently unfurl into a persistently padding groove that kicks on a big system. as the track opens up to drop, metallic synth chords shimmer out of the groove and deliver a massive punch. the intensity grows continually throughout and the melodies are pushed to their maximum, making this an unashamed anthem. the flipsides >freed<, while more heads down than its counterpart, is certainly no shrinking violet. driving drums are topped with long, building vocal screams and rising synths create a feverish atmosphere that, added to a pulsing and brutish bassline, goes off.

the acronym lfo is normally used for >light fuel oil<, but what robert stolt presents with his new release is truly nutritious fuel for the dancefloor. >beyond lfo< developed a groove like chiseled, massive, overwhelming, heated up and extremely intense. a track that could easily run more and more and leaves you breathless and speechless as soon as the last bass drum is faded away. two remixes come from the feather of the well-known pig & dan guys. a steppin and ever-shifting rhythm is the foundation on which a swinging guitar melody unfolds their poignant effect and transform force into playful clarity. a suitable outdoor summer hit. in their second version, the melodic superstructure is purified rigorously, the residual remain compacted and the driving rhythmic moment dressed in a hypnotic dub garb. the clearly breaks infected track >monster< is inspired by the aesthetics of american b-movie monster movies from the 50s. varying, cinematic sound cascades and these wonderful bleeps over all have a direct path into the heads own sound cinema.

a big release from the om records team. this latest cut from miguel migs really is seriously dope. migs dub mix does exactly what you want and expect providing musical house music at its finest. throw into the equation the fact that all three of the remixes are done by artists that serve up serious heavyweight tracks and you get a four track piece of prime vinyl. soul clap (possibley the biggest success story of 2011 along side seth troxler) produce a finely tweaked and expertly executed remix which lives up to every bit of the soul clap hype. aki bergen from neurotraxx fame also smashes it on the remix front gracing us with a deep grooving interpretation to nod our heads in the clubs. finally, hardsoul (if you don’t know who they are where have you been hiding) do what they do best, vocal house gold. a quality release not to be missed

already receiving big support from peter van hoesen, norman nodge, marcel fengler, perc, brendon moeller, len faki, laurent garnier and more. following the recent success of his starting over ep on belgian tastemakers curle, matt heads home to off-key to release his strongest work to date.
first track >bloom< whispers sweet nothings in your ears while shimmering synths caress your neck and skipping percussion dances around your groin. unable to resist, you let yourself go and >without warning< spikes your drink, drags you into a filthy warehouse rave and leaves you grinning maniacally under a flickering strobe light.

dachshund is a living example of a musician who doesnt take himself too seriously: his lively productions, where his passion for experimentation in rhythm and sound are clearly evident, stand out as a welcome departure from the sterile work of so many other heads in the scene. besides humor, an easy-going jamaican feeling characterizes his sets and tracks: the swiss dj, producer and label owner has his musical roots in reggae, which he has followed all the way to the sunny caribbean. no wonder then, that we can hear the dub influence in his current musical output. true to form, dachshund presents his latest release on the berlin record label, highgrade records, where the beats will blister through the speakers in unexpected combinations and grooves. around every corner there seems to lurk a new mad idea or sound sequence from dachshund, who leads his listeners equally as he misleads them on the dancefloor. with a sly musical wink, he offers us three tracks >shall we<, >soul free< and >tell me< produced with sophistication and elegance. these tunes switch almost imperceptibly into a grooving mind-trip that perfectly fits the title of the ep. this is the equivalent of a relaxing invitation to dance: >shall we<? … but, of course!

a chance meeting of minds and talents, this surprising new ep comes from a seasoned producer who kicked off the spc series with his stunning 3 part series, alongside a promising new talent whose name is spreading fast in the techno world. jeroen search & markus suckut are the craftsmen in question and this is their first creative output ?working together. >jsms 1.0< introduces us into their world. tough, straight beats pump under a discordant bed of synth tones that build in crescendo that emerges and then carefully dies down. the occasional crack of a lone clap or teasing washes of tape delay add to the tension, as this paranoid moment takes control. a classically warm and minimalist affair, >jsms 4.3< plants a super deep synth theme in our heads before introducing quite a mysterious spoken word, locking us into the vibe without doubt. crisp hats cut through the mix as a perfect tool is born. dub techno excursion >jsms 2.0< is a rough and raw stab track done their way.

the sun is shining, the drinks are flowing and the music is bumping. summer is well and truly here and what better way to top off the best season of the year than with a 4 track summer sampler from the blockhead camp. as we have come to expect from team blockhead, they have provided us with another solid release with 4 tracks of pure bumpy tech house that would appeal across a far and wide ranging dancefloor. deep basslines, high top shuffles and infectious melody hooklines will keep the feet stomping and heads nodding. give it a spin and see the floor bounce!

supported by: richie hawtin, timo maas, gel abril, joris voorn, stacey pullen, butch, kabale und liebe ...
cocoonclub-resident skai and label scenery darling m.in acclaimed for his work on labels like loco dices desolat and off join the circus records family with the release of their mediterranean flavoured ultima tromba ep. the release sets off a new era reviving the label itself in cooperation with darmstadt based club magenta, skais home for his monthly event re:fresh. with a stunning original gaining early support from the likes of alex flatner and mark reeve the ep is backed with three remixes. whilst dragosh serves us with a reduced version of the original in his hailed desolat style, remercs approach finalises with a tech-house bomb in the way his recent productions on labels such as trapez or off jar the dancefloors. label-head mikel closes the package with an accentuated make-over of the original version representing the house heads on this ep.

eleventh and conclusive ten inch of the la series comes from two thirds of the sa-ra creative partners shafiq husayn and om mas keith. working solo on each side shafiq is first with seven minutes of funk split into three parts. >dna splice mix< is an intense mix of hip hop and funk beats, chopped vocals, jazz and soul combining to form an infectious for-the-heads downtown la sound. flipping over om mas goes uptown and gives us a more polished sound with a leftfield r n b - hip hop vocal track >girls a player<. instrumental plus accapella included for potential remixers.

old chicago house heads trade mixes with ambient star. shifty sciences take on bvdubs track is euphoric dubbed out chordy house. bvdub does a very house version of shifty sciences track, which is more funky than you wouldd expect. limited hand-stamped release.

the second serving from schmorgasbord brings together two relatively disparate and unrelated artists, but who both share a uniquely twisted approach to making music. s-max has been doing his thing for some time, running legendary home all things bizarre in house and techno, boogizm, and releasing a special kind of groove on labels such as telegraph, 7th city and karloff. his original track, >ms. rosen dub<, swaggers and sways with the spirit of classic yorkshire bleeps and bass. the groove is house, but the spirit of adventure is most definitely techno. his remix of spatials >corti< takes a very different approach, taking a rolling, jungle-like approach to dubstep and nailing it to the groove with stabbing bass notes. spatial leapt onto the bass music radar late 2008 with his shadowy infrasonics imprint, and quickly snapped heads with his crisp, refined approach to 2-step rhythms. since then he’s done things on his own terms, only releasing for himself and mutating his sound over a series of 10 inches. >corti< perfectly demonstrates spatials unconventional tendencies, lurching and buckling around a perfectly honed splatter of beats, off-centre synths and delirious vocal snippets. meanwhile on his remix of s-max, spatial flips the script once again with a stomping, swung techno angle that hammers the original into an uptempo, fist-pumping banger.

with upcoming releases on top class labels like american standard, sleazybeats and ene tokyo, edinburghs lord of the isles ventures forth with the debut 12inch on his own limited edition imprint little strong recordings. what you get is three excursions into deeper territories. the a sides >hot blob< is a slice of detroit inspired wonkiness designed for dancers. with a seriously seductive bass line, acidy techno flourishes, underground keys and soulful ghostly voices, the track heads off into the deepness with all the class of a planet e classic. on the flip side, deep house track >tell your soul< pitches that perennial question (and sample) which asks >what is house music ?< across a frozen lake of reflecting and melting keyboard maneuvers, with a definite nod to larry heard, this psychedelic shimmering beauty is made for afternoon drifting. last up >this way< is the gem at the end, built for early morning sub club styled revelry, this stuttering, sub aquatic jam is strictly for the heads. deep, churning and soulful in the right way. with this ep, lord of the isles offers us a glimpse into the mighty depths of his personal catalogue and its very deep indeed!

man will begin to recover the moment he takes art as serious as physics, chemistry, or money. with a mindset of d.i.y. and a vision of the future, drum and bass producers gein have unleashed their record label bad chemistry recordings on the worlds ears. and with five years of production credit, as well as 5 years of record label management with habit recordings, the trio is set to stir up the drum and bass scene with a conceptual label that defies peoples set standards. with bad chemistry, gein is turning heads all across the board with collaborations you would come to expect, never expect, as well as new solo material that breaks stereotypes. and with support from major players in the drum and bass world, the hype is growing daily. with the 4th release, gein brought us >motherfucker< produced by gein, backed with >schizm< a collab with cooh

waaaaarning!! this is only for the real hard techno heads. lukas & lexis ripping it up cannibal style! consuming human flesh is the formula. no excuses, you have been warned!

we present you the newly born imprint outernational recordings. the kick off for this unique vinyl series is by basque county native kastil who sets the right tone with three wonderful disco edits at a mid-tempo / slomo pace. since uploading these tracks to his soundcloud page, the feedback has been enormous. side a contains the long, slow and loopy back to philadelphia, where kastil cleverly plays with the vocals and delay and creates a highly tense build up. theres no doubt that some large players in the very popular disco edit culture will play this one out. on the b1 side you find the track smd. a track which received great feedback by some key figures on soundcloud. this track is the ultimate pre-lude for the summer. fortunately, this is being released just early enough to enjoy this during the european and northern american summer. with again beautiful vocals floating through the track, this track definitely reminds one of a hot day in the local park. the b2 track is called rolls royce. perfect as the last track of this release since its a long edit which ends with a very atmospheric piano solo that keeps on floating through the last few minutes of the track. all and all, these edits will definitely make some heads turn after the date of release. supported by: cosmic boogie, dicky trisco, the legendary 1979 orchestra, sleazy beats recordings, ben la desh, 78 edits, osvaldo wilson, mannmademusic, gitchell moore

yes, a deep and soulful release by the bittersuite crew. on this three tracker you will find the soulful groover life cycle, a great uplifting summer vibe with catchy bass line, chords and percussions. will def. move the deep house heads.on the flip you have the tracks blockhead and blueprint. blockhead with deep, deep pads and its distict bass line combined with a >in your face< banging kick drum, could be described as nothing less than a masterpiece. will def. be banging your system. the track blueprint is something for the late hours, on point peak time business. with a distinct groove to die for, nothing can go wrong with this bad boy

marius takes a break from his recent studio lp work with prins thomas and delivers another killer release on maxi discs. continuing his journey into ny influenced dance music, he unleashes >glow of filter & dub< an epic 10 min ride into the musical world of legendary clubs like the paradise garage and body & soul that inspired him. it even has an old school drum break to drive your dance floor crazy. you can smell the sweat on this one - work it! on the flip, deep house heads 6th borough project work their subtle magic on >love gun< and create a house vibe that is deeper than deep. while disco deviant dicky trisco strips back >glow of filter & dub< to the bare essentials and works it to the max in a tribute to early tony humphries proto - house style cuts like ma foom bey.

after the roaring success of nicolas jaars space is only noise album the fine curatorial heads at circus company hq have enlisted 2 of their nearest, dearest and most talent co-conspirators for the first round of remix duties. having built a cult following and peerless reputation for his remixes of everyone from roy ayers to cassius, pépé bradock turns in no less than 3 versions of too many kids finding rain in the dust. the proceedings begin with his blind pig mix, an echoing tunnel of balkan strings and dusty samples connecting the lands of disco and hip hop to blinding effect. the train fantôme poke follows and is certain to find its way into many a discerning dj bag in the weeks and months to come, with its mathew herbert-esque syncopations and grinding industrial scrapes and psychedelic whispers. dave aju takes up the baton on the flip turning the albums title track into the kind of late 80s dance floor work out martin hannet would have been proud of, certain to appeal to fans of recent work by matias aguayo, rebolledo and the comeme camp.

in 4 years anile has steadily established himself as a underground d&b solider. this release for spirits label is a absolute stomper >exclusion zone<. real heavyweight d&b with no cheese. the flip >code of conduct< by anile & dakosa rolls out controlled techoid fun pressure with super weighty low end sub-bass. sinister music for the real d&b heads, perfect to mix, perfect to make you move.
dj support loxy, spectrasoul, d bridge, total science, s.p.y, lenzman, ink, manifest, raiden, spirit instra:mental and gremlinz, anile is certainly one to watch in 2011.

dance to the monkey slap, next killer from the what! what! label heads

you cannot neglect those vocals, because they will pick you up to an unknown journey. you wont forget this preview of new age melodies and sounds. oceans bottom is dreamy and diverse made by flute-sounds and tricky percussion elements. this song is daring you gently, makes your body swinging and your soul so moony. einmusik is bringing up the old things into the future. just get in touch with his strong, bunched and adust sounds. they will open your mind for an epic album. backside you will find biosphere, a classic and solid house anthem which makes everything so easy. but heads up! – this is not only an accessory part – it is the opener for the summer season.

here is the follow up of its ok. this ep has the the perfect ingredients for a banging bigroom groover for the later hours. produced by italys most wanted heads who know how to bake a cake made in italy

the annual nightmare event dates are consequently marked in the calendars of hardcore heads with a big fat red marker. in the months prior to these dates, two major things runs through the hardcore fans mind: who?s in the line-up, and who will produce the next nightmare anthem? the answer to that last question is enzyme records finest: weapon x.

c series returns to bring more hard groove monsters to your ears! c8 - sombrita : c8 starts off and goes all latino on your ass! smooth sexy vocals flow through the break leading into pounding bass line and groove, floor shaking beats and rattlesnake bongos complete this rework for some latin american booty shaking, c series style! c8 - lowis: another classic rework for this release. the track maintaining some of the original work that makes it instantly recognizable, but then takes on a harder and darker twist by being reinforced with some tough beats and bass made for a heads down, driving groover. a must for tearing off the roof at any party!

we took a little longer than usual, but here at pooledmusic we have always been more into quality over quantity ... just in time for spring, ian pooley delivers some serious heads on house grooves on this stunning little 4-tracker, we have been dancing to around the office for weeks now. enjoy.
supported by: dj hell, fritz zander, markus worgull, christian prommer, thomas schumacher, sasse, spencer parker, dave seaman, dixon, axwell, leigh morgan, shur-i-kan, fred everything, motorcitysoul, …

killer new 12 inch with no information or song titles, simply called >scott grooves white label of the month<. the a-side is an incredible techno track full of energy guaranteed to move the crowd at peak time. the b-side is a grimey, acidic drum work out that will have the heads banging and bootys shaking. cant wait to see what mr. grooves has in store for us next month

in 2010, indivision where turning heads with their futuristic liquid sounds and 2011 is going to be even bigger for the tallinn based producers. this release is so well put together and appeals to both the liquid seen and the dancefloor crowds. we cant wait to hear more from this exciting talent.

yes borique tribez back in da house selecting the freshest techno beats for his basics imprint! gueststar david moleon got the chance to take his favourite tracks by kobaya and turned them into his style. original were killers, but these two fine gems here a masterblasters! big from start till end and will turn more heads than kate and will.

amazing records is proud to present its first vinyl release: a great four tracker from label heads, minicoolboyz. lost in lodz opens the ep. a minimal / housey track with a catchy, hypnotic groove and charmingly deep vocals. this is my acid house has an exciting blend of classic house rhythms and acid basslines. a modern and personal reinterpretation of acid techno, with some powerful and exciting breaks. excuse me, has been designed specifically to entice wildness on the floor, with its filtered, deep groove: perfect for the peak time! feel my drums is the perfect mix of techno fx, house drum patterns and rhythms. this tune is 100% minicoolboyz style: deep, catchy and fat! a superb ep to launch the first in a series of vinyl releases from the label. supported by: anton pieete, paco osuna, someone else, stacey pullen, karotte, popof, markantonio, monika kruse, nic fanciulli, anthony collins, michel de hey, richie hawtin, umek, mauro picotto, and many many many more!

300 copies, vinyl only, authentic, raw, underground. the second offering from laak on their austere imprint is another defined four tracker. >back of beyond< kicks things off, a sincere heads down jam combining latin percussion elements with a killer bass line and warm chords. the second track, >dont ever leave< is a heartfelt lament on the feeling of loss, slowing the tempo down, this one is deep! on the flip, >cosmic causeway< offers something a little different although keeping with the warm pads, this time the use of a spaced out trumpet keeps things flowing. the remaining track >cantankerous emotions< is a little different as regards to the beats, but loses none of the soul and profoundness of the other tracks. only for the underground soldiers!

its been 2 years since benny rodrigues last release on be as one and since then, the young dutch producer has pushed forward his career, both in the studio and in the dj booth. having remixed people like josh wink, dj pierre, justice, spirit catcher to name just some and released on ovum, poker flat, figure, klockworks, with a busy dj schedule in clubs as berghain or rex, at his young age benny is clearly a well respected artist. benny rodrigues interpretation of acid house takes the form of i like acid, and surely it sounds classic! acid synth madness like in the old days but with an updated touch to rock the floors in 2011. choice hypnotic appeal will not get unnoticed on the floor, once again a track that finds its strenght in the basic structure of its arrangement, effective drums patterns with a freakish top line that carry the track into peak time. steve rachmad remixes as sterac are always a treat, and here the techno legend doesnt fail to impress once again with his take on bennys i like acid. snares, hi-hats, rides and bass, all arranged to build up to a melodic and emotional breakthru, dancefloor bliss for the detroit techno heads. to close this amazing package, germanys own mike dehnert brings his trademark sound to be as one in the form of his remix of i like acid. a tune that finds its perfect habitat in dark, smokey and sweaty rooms with massive sound systems.

the first release on use of weapons saw heavy support from djs across the board - jocks such as jimpster, the revenge, the unabombers, bill brewster, tornado wallace and more all gave their support to the inaugural release.
following on from deep space orchestras >trust skynet< ep, cottam heads up use of weapons 002 with a killer track already turning the heads of those that know. needing no introduction after a series of sellout releases on his own self-titled label, the mysterious lancastrian brings strings, acid and a building drum track to a release that is sure to widen eyes on the dancefloor and beyond.

the three tracks for this release go through a wide range of our sound. >cyclone< by samuel dan and feygin is a throwback to the way dirtybird records sounded back in 2006, raw and fun with big drums. but >cyclone< sounds amazing compared to the sound quality of some of those old records we all love, a definite update to the old db vibe. b-jus >babbel net< is his follow-up appearance to last years bomb track >my sneakers< that all of us played 1000 times. this is more in the smooth 808 style of dirtybird while still giving you some punch and melody. this record works really well for me and this groove crossover into a house set no problem. last but not least is maelstroms >you play<. this is a real monster, not so much for the house heads but instead for those of you who like to cross genres and explore the bass regions during your sets. definitely not your friendly deep house record this one is a real db banger in the tradition of big dirty bass we love here in san francisco.

kicking off 2011 with a killer e.p. is our favourite artist art bleek featuring a number of remixes from the new art supplies album released on loungin this month plus some fresh cuts exclusive to this release. starting the e.p. is a floor filling remix of clap your hands by our own trevor loveys. the original has been out for a few months in the blogosphere and has been picking up some heavy props. next up is hold it (a little longer) where art shows off his true talent of the master of the musical groove with a rolling bass and a choppup vocal lick to keep the party rocking. flip over to side b and you would be excused if you thought someone had swapped the record out for a disco classic. with vox by noelle scaggs and a harmony that nile rodgers would be proud of arthur creates a boogie classic that is very much flavour of the moment. following on is an exclusive remix of the hunt dance featuring the unmistakable voice of ursula rucker. the original on art supplies has had such amazing reactions that we all thought it would be hard to better it, but again arthur has done it delivering a groover for the heads. finally is right on featuring l.as finest charlie sputnik. art delivers a more techy grove to this classic which is a sound he is becoming more recognised for which contrasts so will with charlies trademark smooth vocals.

after the emotive release of rick howard, its time for hhyr to step it up a notch again with fellow chicagoian ricardo miranda, who already gave us >black acid< last year and also was featured on rick wilhites >vibes< compilation. <br (/>>floorwax< urges us to do the damn thing, assuming that he leaves us no choice but to slam dance to this hypnotic acid work out, which reminds us slighly of earlier dj funk material. >redline< further explores the boundaries of acid house originale. it starts out with just drums and a pulsating acid line, but halfway through a utopian string line eases in and shows us the way to the promised land. keep your heads up and dance to the music.
classic chicago house!

praterei are back with their third instalment, again one for the heads and the hips alike. as per, pseudonyms are the order of the day and 7 citizens returns with more chicago synthestry in the form of >quietus<. the remix comes from force/emerge and proffers a gritty low slung alternative. as for the conundrums, 7 citizens has recently collaborated on one side of a huge double 12 inch release with one of the most in demand producers on the scene. and force/emerge...is copper mayfield too obvious? check!

what is there to be said about ruben & ra except these two have been lovers of boogie, disco & funk and have been keen record store diggers for too many years to count. with edits, reworks & original productions coming out of their ears, ruben & ra have decided to set up the retrospective label as an output for their tracks. watch this space for more info, updates & free downloads. the first release on their new imprint: retrospective is a good indication of things to come. 3 killer edits that are hitting the radar of chris duckenfield & dimitri from paris to name a few ... with a killer groove like newer shooz, plus a nu disco number for the heads in the form of dreman and finally a floorfiller like play my song there is something for everyone out there. the future is bright for this baby & his cat!

two brand new tracks from bristols emergent house prodigy. >batty knee dance< brings ultra syncopated 808s, neurotic synths and a mournful vocal refrain together in a tightly packaged low drag configuration. >ribble to amazon< maintains the levels of 808 astro physics but heads for the great outdoors with subtly staggered pads and an impossibly delicate lepidopteran melody basking in a 16:9 sunset.

our number one chanteuse stac returns to wax with two stunning remixes from a producer whose glittering career has included a number one single with david byrne from talking heads as xpress 2, numerous other guises including the black science orchestra and ballistic brothers, and being one of the most sought after remixers on the planet!

always leena is the fertile breeding ground for inspiring artists that are new to the label and have caught the attention of mobilee’s label heads. this brand new release from smash tv is a perfect example of this vision in practice, as whilst the duo behind the name - holger zilske and kai preussner - have been in the game for quite some time, this is their first release on leena and it’s unsurprising that their high energy production and musical flair has been spotted and admired by the mobilee team. with releases in the past on labels such bpitch control, diynamic and get physical, now they are here to present ‘world wide wet’! all three tracks in the release come with the producers’ high energy dance-floor trademark, whilst in spite of it’s suggestive title ‘eating bullets’ takes it a bit deeper and gives you some space to kick back to. ‘world wide wet’ is a very welcome guest to leena, bringing more variety and spice to the imprints history so far…… enjoy

after making the soundcloud thunder climbing up the weather charts with their legendary edits, dynamic duo chris jylkke and satin jackets decided to make things happen in the track business. the stockholm based dj and german producer stuck their heads together to come up with some lush and crispy funkiness made into black gold by the danish music veteran mike salta & marty mortale. already supported by guys like drop out orchestra, peter visti, casual encounters, sare havlicek and more. this is surely going find its way into the records bags of stardust loving djs around the globe.

geminis >tribute ep< is quite simple – label boss phil weeks has handpicked four of his favouritetracks by the legendary spencer kincy, originally released on the infamous cyclo label in the late 1990s, and gives them a fresh lease of life on robsoul. its serious house music for the heads – apure chicago flavour in the vein of cajmere/green velvet. massive feedback by : maya jane coles, anthony collins, derrick carter, federico molinari, franck roger, robert owens, manuel tur, jason hodges, da sunlounge, djulz, charles webster, deetron, joshua, pete dafeet, mr v, dj heather, miles maeda, jay tripwire, rob mello, stuart patterson, chris carrier, catz n dogz,

subwave returns to metalheadz for a musical outing that will certainly have a few scratching there heads in wonderment, this is not the usual output we hear from headz but it sits just perfectly with releases like commix remix album >recall to mind<. >naked lunch< takes us on a journey into deep house electronics, lush strings and slick programming all the way this is fit for any dance-floor. on the flip >raindance< takes us into dubstep territory – if you are a fan of nonplus and disfigured dubz then this is most certainly for you, its warm, moody (in a good way) and beautifully crafted, there is even a hint of old school detroit in this one ...
the whole package is and is of the highest quality, we expect big support from the deephouse, techno and forward thinking dubstep djs for this, long may subwave continue this journey into music from future!

der untergang refers to an dystopian city in which from one day to another everybody went crazy - the perfect outline for the remixers oliver koletzki, umami and label heads aka aka! every remix comes with a different vibe and mood. koletzkis housy interpretation is perfect for the late evening hours and brings some carribean flair on the dancefloor, umami comes up with a real tech house stomper while aka aka elevate us to another level of their collabortion with their trumpeter thalstroem. must have!!

luv jam - better known as andy cole - made his name through outings on we play house and lany recordings, and >mature oak< finds him in fine form, an epic, atmospheric track poised on a bed of analog synths and warm pads, driven by galloping drum mechanics that gradually give way to its climax, an irresistibly squelchy acid bassline that marks it as one of coles most memorable productions to date. on the flipside we get treated to cottams first ever remix. cottam has made an impeccable name for himself, with his signature colourful series of untitled 12s and a contribution to the story imprint. true to his roots, cottams re-rub of >mature oak< is a slo-mo, motorik chugger that makes excellent use of the originals acid line while taking the whole track a step further. its a proper heads down affair that begs for a soundsystem loud enough to do it justice. limited vinyl pressing of 444 copies – hand stamped and numbered. special artwork by pedro carvalho de almeida.

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

minus yogis is the brainchild of the japanese motoyoshi donkey shimazaki, ex- tokyo policewoman, kimiko kawabe and englishman abroad, max essa.
>all tied up is propelled by a proper bass line, repetitive chord vamp and otherworldly percussion, minus yogis create a tracky groove before dropping a synth and strings combination. the remix comes courtesy of juju & jordash! the juju & jordash gospel mix of >all tied up< is the soundtrack to a very disorientating sermon at the church of deep house psychedelic drama. heavy, dubbed out music for heads.